Updates: The architecturally significant houses destroyed in L.A.’s fires
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Los Angeles has Frank Gehry’s glorious Walt Disney Concert Hall, the space-age wonder of the LAX Theme Building and the stack-of-vinyl needle drop that is the Capitol Records building. For some design geeks, however, the heart and soul of L.A.’s architecture resides not just in its museums and office towers but also in its exalted, often otherworldly houses.
Those homes — especially those designed by Midcentury greats such as John Lautner, Richard Neutra, Ray Kappe, and Charles and Ray Eames — have been the obsession of those tracking the threats posed by firestorms laying waste to the wooded canyons and grassy hillsides that are the scenic backdrops for these residences.
Beloved landmarks by Frank Lloyd Wright, Rudolph Schindler and others stand outside of the immediate fire threat, but other notable houses have not been so lucky. Here’s a partial accounting of the confirmed losses:
Harwell H. Harris’ Lowe House, Altadena: Built in 1933-34 by modernist architect Harris for his friend Pauline Lowe, a buyer for the Bullocks Wilshire department store, the Lowe House mixed Japanese design with classic ranch-home style. Originally an aspiring sculptor, Harris fell in love with architecture after visiting Frank Lloyd Wright’s Hollyhock House and went on to work under Richard Neutra and Rudolph Schindler. The Lowe house was Harris’ first commission after leaving Neutra to establish his own practice. The home featured small, wood-walled enclosures extending from each bedroom, enabling inhabitants to sleep privately outdoors. It won a prize in the annual Small House design competition and was written up in the October 1935 issue of House Beautiful magazine.
Serrurier House, Altadena: Architect-brothers Charles and Henry Greene are most famous for the transcendent Craftsman home known as the Gamble House in Pasadena, but they also built smaller gems in Altadena, including a 1905 design on east Mariposa Street destroyed in the Eaton fire. The house takes its name from its first occupants, the family of a Dutch inventor Iwan Serrurier.
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Zane Grey Estate, Altadena: This home, with elements of Spanish, Mission and Mediterranean Revival design on 1.2 acres west of Lake Avenue, was built by architects Myron Hunt and Elmer Grey in 1907 for Chicago business machine manufacturer Arthur Herbert Woodward. At the time of its construction, it was called the first fire-proof structure in Altadena because it was built of reinforced concrete. (Woodward’s wife had lived through the devastating 1903 Iroquois Theater fire in Chicago, which erupted during a performance, killing more than 600.) The author Zane Grey bought the home in 1920, and he and his wife built a 3,500-square floor addition, including a library and office where Grey (no relation to the architect) used to write. The 7,240-square-foot home was put on the market for about $4 million in 2020 and was listed as having eight bedrooms, four bathrooms, a commercial kitchen with a 15-foot ceiling, as well as a main kitchen, wine cellar and massive basement. Original cast-iron sconces, iron handrails and chandeliers remained in the house, which is on the National Register of Historic Places.
The Andrew McNally House, Altadena: Architect Frederick L. Roehrig built this Queen Anne-style mansion for Rand McNally Publishing Co-founder and President Andrew McNally in 1887. McNally paid Roehrig $15,000 to design the mansion at East Mariposa Street and Santa Rosa Avenue, in an area that would soon be called Millionaire’s Row. The home had a three-story rotunda with views of the San Gabriel Mountains, and McNally kept a private railway car there. He had a gardener who nurtured the deodar cedars along a part of Santa Rosa that became known as Christmas Tree Lane.
Laura Begley and Evan Dresman had just moved into their dream Gregory Ain home and were preparing to sell their fixer-upper in Altadena’s Janes Village. Fire destroyed both.
Janes Village, Altadena: This cluster of historic English cottages, built between 1924 and 1926 by architect Elisha P. Janes (known professionally as E.P. Janes), was partially destroyed. Janes built at least 270 English- and Spanish-style cottages in the area. These were mostly single-story stucco-finished homes with six rooms, arranged in one of four floor plans and priced to be accessible to the middle class.
Gregory Ain’s Park Planned homes, Altadena: Designed in 1948 by Ain with the help of the era’s premier modernist landscape architect, Garrett Eckbo, this strip of 28 Midcentury Modern homes was built as part of a social experiment conceived by a modernist architect focused on cost-effective, prefabricated design for working people. The area was created to look like a park with no front fences and continuous landscaping. The homes had side-facing garages and interior courtyards and glass walls, making them feel a bit like mini estates.
708 House, Palisades: In 1979, before he went on to become director of the Southern California Institute of Architecture, Eric Owen Moss remodeled the house at 708 El Medio Ave. originally designed by Milton H. Caughey. As documented by the Los Angeles Conservancy, the new design, with its flying buttresses and boldly graphic exterior, was a playful vision of postmodern thinking.
Bridges House, Palisades: Anyone who has driven down Sunset Boulevard toward the coast will remember the Brutalist Bridges House, by architect Robert Bridges. After working on homes including his own, Bridges became a professor of real estate finance at the USC Marshall School of Business, where he is professor emeritus. His striking home was perched above the boulevard, its wood and glass cantilevered over a concrete base.
Keeler House, Palisades: In 1990 modernist architect Ray Kappe remodeled a home for jazz singer Anne Keeler and her then-husband, Gordon Melcher. The 4,142-square-foot cantilevered post-and-beam structure, nestled in a woodsy hillside with canyon and coastline views, went on the market for $12 million in April. With four bedrooms and three bathrooms, the house had walls and floors of concrete complemented by a palette of redwood, teak, fir and glass block. Kappe founded the Southern California Institute of Architecture in 1972 and died in 2019 at age 92.
Culbert House, Malibu: Another Kappe project that burned in the Palisades fire is this Pacific Coast Highway residence designed in 1998, according to Getty Research Institute records, and completed in 2001.
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Will Rogers’ home, Palisades: The actor’s ranch house, part of Will Rogers State Historic Park, was destroyed in the Palisades fire, along with the historic stables. In the 1920s Rogers built a 31-room residence with 11 bathrooms, a guesthouse, a golf course, stables and a corral on about 360 acres. In 1944 the compound and grounds became a park and museum after his widow, Betty, donated them to the state. “The Rogers family is devastated by the loss of the California ranch and the overwhelming loss of the community,” Jennifer Rogers-Etcheverry, the actor’s great-granddaughter, said in a statement. “Our hearts go out to all those neighbors who have lost their homes.”
Mortensen House, Palisades: The loss of this Via de la Paz home, confirmed by the L.A. Conservancy, is significant because it stood as a rare example of Spanish Colonial Revival residential architecture dating to 1929. The Los Angeles City Planning department’s database of historic resources notes that the house retained “most of the essential character-defining features from the period of significance.”
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