‘Baby’ earns a 10 in the ring
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Clint Eastwood has arrived at the enviable point in his career where
he can make any movie he wants to make. He has come to master the
slow and very deliberate character studies that are at the heart of
his tense Oscar winning films. “The Unforgiven” and “Mystic River”
demonstrated his command of this cinema art form. He takes ordinary
people, propels them into extraordinary situations and makes the
audience care deeply about their fate. “Million Dollar Baby” is no
exception and will receive multiple nominations from the academy.
Hilary Swank is sure to be up for best actress with her bravura
performance as the gritty waitress with championship dreams. She sees
the dangerous female boxing circuit as her ticket out of her family’s
trailer-trash life in the Ozarks. Eastwood and Morgan Freeman team up
as grizzled fight club veterans, who at first resist, then embrace,
her hopes for success. The chemistry between the two men echoes their
relationship in “The Unforgiven” but also provides a touch of humor
to offset the heavy issues that drive the screenplay.
Like Eastwood’s other films, “Million Dollar Baby” includes
calculated tension, conflict and unforeseen consequences that are
driven by the hard choices the main characters are forced to make.
It’s a quiet powerhouse of a movie that will provide unexpected food
for thought for many who see it. With its carefully measured pace, it
may be too long at over two hours, but I don’t think Oscar will care
when it comes time to announce the awards. This is a heart-wrenching
film that will stay with you long after you leave the theater. This
is one of the year’s 10 best.
* JOHN DEPKO is a Costa Mesa resident and a senior investigator
for the Orange County public defender’s office.
Heartbreak ‘Hotel’ shouldn’t be missed
“Hotel Rwanda” is an intense, riveting drama set during the 1994
civil war in Rwanda in which a million members of the Tutsi tribe
were massacred by the Hutu tribe. This “ethnic cleansing” lasted 100
days while the entire world looked the other way.
The film is a true story of the gutsy resourcefulness of a
four-star hotel manager, Paul Rusesabagina, that enabled him to save
1,300 “guests” from the carnage that was all around them.
Paul (Don Cheadle, recently of “Ocean’s 12”) is a quiet, dignified
family man who prides himself on his discretion and attentiveness to
the guests of the luxurious Hotel de Mille Collines in the capital
city of Kigali. He understands his guests’ needs, whether it is
scotch and fine cigars for a murderous general or a bribe to a local
warlord for imported beer.
Although there has been unrest in the country, Paul is certain
that the United Nations’ presence and the imminent signing of a peace
treaty between the Hutus and Tutsis will settle things down. But no
sooner is the treaty signed than the president is murdered and all
hell breaks loose. No one is safe, neither the Tutsis nor anyone
suspected of harboring them.
A tiny contingent of U.N. forces, led by a grim colonel (Nick
Nolte), is there only in the role of “peacekeepers, not peacemakers”
-- but there is no peace to keep.
Paul is Hutu and his wife Tatiana (Sophie Okonedo) is Tutsi, and
he must use all of his considerable talents to keep his family alive
and together. He encourages his hotel staff to get in touch with the
people they know in the outside world and tell them of their
situation, to “shame the world” into helping them.
All of the cast is outstanding, and there are memorable cameos by
Joaquin Phoenix and Jean Reno. Cheadle gives a magnificent
performance, and is the embodiment of simple decency and
determination to do the right thing under unimaginable circumstances.
Director Terry George labored for several years to get this story
on the screen. “Hotel Rwanda” is a powerful film that deserves to be
seen, and we should all feel outrage and shame.
* SUSANNE PEREZ lives in Costa Mesa and is an executive assistant
for a financial services company.
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