A few stops before Stuttgart
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PETER BUFFA
“Attention, please -- keep your arms and legs inside the car at all
times.” That’s good advice at the Magic Kingdom, but an even better
one where I am right now, on a super-speed train from Milano, to the
lake country and the Tyrol, through the Swiss Alps, then on to
Stuttgart, the city of cars that cost a fortune, pretzels that you
can walk through, and beers that take two men and a schnauzer to
lift.
BEYOND A TUSCAN SUN
Where did we leave off? Wait, I remember. When we last spoke, it
was “Arrivederci, Roma -- ciao, Toscana.” It’s easy to see why people
are bonkers for Tuscany, especially Americans. It is a strikingly
beautiful place of storybook farms and rolling hills, separated by
fields of sunflowers that go one forever. Anything you’ve seen and
fantasized about in “Under the Tuscan Sun” or “My House in Umbria” is
a pale copy of the real thing. We stayed in a remarkable place called
“Podere Dionora” (Farmhouse Dionora), just outside Montepulciano. We
found it courtesy of our neighbor, Lorna Pizzorni, who stayed there a
few years ago and said it was a small corner of paradise right at the
intersection of beauty and tranquillity that would change our lives
and stay with us forever. As it turned out, that was a little bit of
an understatement. Dionora has only six rooms, each with its own name
and look, bursting with Tuscan antiques, terracotta floors and stone
fireplaces.
The place is the life’s dream of it’s two owners, Mario and
Giulio, who each worked for years as managers of five-star hotels
before opening their own place. They’re also very proud of the fact
that Michelle Pfeiffer and her husband, David E. Kelly, stayed there
not long ago. A spectacular breakfast whipped up by Mario’s mother is
served every morning in a solarium with a view that would be silly to
try to describe. Dionora is booked up to a year in advance for the
high season, and people come from around the world to have their
weddings there, assuming the relationship outlasts the waiting list,
which ain’t easy.
WHILE IN FLORENCE ...
From there it was on to Florence, the city of Dante, food to make
a grown man cry and of course, fine arts, where Michelangelo’s
“David” is only the beginning. By the time you stagger out the door
of the Uffizi, which houses one of the largest collections of art in
the world, you are consumed with guilt that “Oh my God, look at
that!” has turned into “Da Vinci? Fine. Rafael? Yeah, whatever.”
“Uffizi,” by the way, is Italian for “offices.” The Uffizi was the
sumptuous headquarters of those infamous Renaissance nasties, the
Medicis, who had lots and lots of gold but not a single scruple among
them.
One stop in Florence my wife and I will not miss, no way, no how,
is a restaurant called “Il Latini.” It’s been run by the Latini
family since the early 20th century, and we were first sent there by
friends nearly 25 years ago. It’s not the finest or the most elegant
restaurant in town, but it is definitely the most fun, in that town,
this town or any other town. It’s on a hard-to-find side street, and
I use the term “street” loosely. You’ll know when you’re there by the
line of people waiting outside. Latini was always popular, but after
it was featured on a travelogue about Florence on the Food Network
last year, it went platinum. Don’t be discouraged by the line.
Inside, it’s a cozy setting of wood tables beneath massive legs of
prosciutto and provolone cheese hanging from the beamed ceiling. But
the real action is outside, on the long, hungry line. While you’re
waiting, the owners walk up and down the line with tray after tray of
wine, fresh bread, parmigiano reggiano and prosciutto.
Within 30 minutes, everyone in line is on a first-name basis,
knows where everyone else is from and is feeling no pain. We waited
just over an hour on this trip and by the time we got through the
door, I was fully anesthetized and thought anything anyone said in
any language was the funniest thing I had ever heard. Once inside,
it’s family seating and they’ll let you know which family is yours if
you didn’t come with one. Both the chefs and the waiters seem to make
it up as they go along. Your waiter, who is much too busy to talk, is
constantly dropping off different antipasti at your table, no charge,
in addition to the large bottle of Chianti already there, also no
charge, to give you something to do until he has time to deal with
you. By the time he actually stops long enough to say, “Buona sera.
Una cosa da bere?” (“Good evening. Something to drink?”) You’re ready
to say, “Il conto, per favore.” (“Check, please,”) and the night
hasn’t even begun.
AN ELECTRIC CITY
From Florence, it was on to Milano to see Leonardo da Vinci’s
“Last Supper” and a few cousins, not necessarily in that order. I
like Milano. It doesn’t get the attention from the thundering hordes
of tourists that other Italian cities do, but it’s a lot if fun.
Da Vinci’s “Last Supper” has gotten a big up-tick from the global
frenzy over “The Da Vinci Code,” by Dan Brown. The Duomo, Italian
shorthand for the major cathedral in any city, is second only to St.
Peter’s in the “Most Breathtaking Performance by a Church” category.
And Milano exudes much the same electricity as New York, which might
also explain why I like it.
Milano is the core of the reactor for Italian design and fashion
and is bursting with the flagship stores of every la-la label you’ve
ever seen on a ridiculously overpriced dress or suit, handbag or
shoes. The streets are filled with models, of both genders, rushing
from one assignment to the next. The Galleria, a stunning mall
beneath a soaring stained glass roof that soars 10 stories high, has
been impressing shoppers and strollers from around the world since
the 19th Century and is the model for every high-end mall in the
world. Milano’s Via Monte Napoleone is way beyond fashionable, puts
Rodeo Drive to shame and is living proof of J. Paul Getty’s warning:
“If you have to ask the price, you can’t afford it.” In fact, with
the euro beating the living daylights out of the dollar right now, I
am trying really hard not to ask what anything costs, or buy it just
to be safe. In fact, when we get back, I think I’ll do a travel guide
called “Italy on a Thousands Dollars a Day: You Can Do It If You
Try.” Yikes. All right, then. We’re gliding into the Stuttgart
station right now. Guten tag, auf weidersehn -- I gotta go.
* PETER BUFFA is a former Costa Mesa mayor. His column runs
Sundays. He may be reached by e-mail at [email protected].
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