Women’s issues take stage in two UCI plays
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Tom Titus
Women, and the overriding issues that affect their lives, will
take center stage at UC Irvine this weekend and next in back-to-back
plays focusing on the female of the species -- one in a comic vein,
the other a more serious exercise.
Tonight, UC Irvine will open a two-weekend engagement of “Big
Love,” a comedy by Charles Mee with its roots in the writings of the
ancient Greeks. Next Thursday will see women’s issues explored in a
more frightening style, if the title of Amy Bridges’ play is any
indication -- it’s “The Day Maggie Blew Her Head Off.”
“Big Love,” directed by Annie Loui, is described as an audacious
updating of Aeschylus’ “The Suppliant Maidens,” in which 50 unwilling
brides flee their pre-arranged marriage to 50 cousins (although the
UCI cast numbers only 16), finding sanctuary in a sunny Italian
villa.
A safe haven, however, is hard to come by, as the prospective
grooms arrive in hot pursuit. But murder, not marriage, is the game
plan of the fugitive females. The nuptials are derailed by carnage,
mayhem and flying wedding cake.
The play -- containing strong language and nudity -- is billed as
a hilarious battle of the sexes and promises to offer theatergoers a
unique experience.
“I like plays that are not too neat, too finished, too
presentable,” playwright Mee has been quoted as saying. “My plays are
broken, jagged, filled with sharp edges.”
“Big Love” will be staged at 8 p.m. Thursdays and Fridays and at 2
and 8 p.m. Saturdays through Feb. 1 in the Winifred Smith Hall on the
UCI campus. Reservations are being taken at the box office. Call
(949) 824-2787.
“The Day Maggie Blew Her Head Off” earned playwright Bridges the
1997 Edward Albee Play Lab Award in its initial production. It’s
described as a “blistering dark comedy of a young woman’s fatal
struggle with weight and low self-esteem, driven by society’s skewed
standards for the ‘ideal woman.’”
“The message is clear -- women continue to struggle,” director
Teresa Pond said. “Our culture contradicts itself, and the fallout is
tragic. We teach our young girls to reach for the stars, but we do
not give them the tools to find their way there.”
The audience, Pond asserts, will sit “as both witness and judge at
the trial of Maggie’s life. Was she wrong, or was she right? As
cultural representatives of a society at odds with itself as to how
women should be constructed, where do you start -- and, more
importantly, where do you land?”
“The Day Maggie Blew Her Head Off” opens a week from tonight in
UCI’s Studio Theater, with performances at 8 p.m. Thursdays and
Fridays and at 2 and 8 p.m. Saturdays through Feb. 8. Reservations
will also be taken at the above box office number.
* TOM TITUS reviews local theater for the Daily Pilot. His
reviews appear Thursdays and Saturdays.
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