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Faced with COVID lockdown, two out-of-work actors reach for Shakespeare in an experimental documentary that creates art on the mean streets of GTA’s Los Santos.
The filmmaker invited us to open our minds to the impossible, with movies such as “Blue Velvet” and “Mulholland Drive” that defined an American surrealism.
The Grammy-winning musician SZA makes her screen debut in this funny, shaggy comedy about two L.A. roommates and a bad boyfriend who absconds with their cash.
Filmmaker Leigh Whannell directed 2020’s intriguing “The Invisible Man,” but his latest classic monster redux is a shaggy mess that should have been curbed.
The director’s latest misanthropic drama, following such films as “Bleak Moments” and “Naked,” is a puckeringly sour delight, socked over by Marianne Jean-Baptiste.
Decades after “Barb Wire,” the now-unvarnished star of “Baywatch” shines in a movie directed by Gia Coppola that’s been custom-crafted to show off her talents.
We asked Times staffers for the films they were most stoked for, sight unseen. Brace for a “Freakier Friday,” a new “Superman,” the return of Malick and more.
This stunner of a profile from Michael Gracey, the director of “The Greatest Showman,” might finally get Americans to tune into the British pop star’s hits.
Written and directed by Halina Reijn, this age-gap office romance tests if we’re mature enough for a thorny conversation about sex and power.
