Pens down, pickets up
Who’s “labor†and who’s “management†in this strike? How can Ellen DeGeneres be a scab when it’s her show? All week, Craig Mazin and Matt Edelman discuss the Hollywood writers strike.
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WeÂ’re more than a month into the strike. What are the biggest errors made so far by the WGA and the AMPTP? Craig Mazin and Matt Edelman conclude their debate on the writers strike.
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What will new media look like in five years? Will writers and producers have to negotiate every time technology changes? Matt Edelman and Craig Mazin continue their debate.
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Does the fact that screenwriters don’t get a steady salary or ownership of their work entitle them to special consideration in the form of residuals? If so, why shouldn’t a sound editor, a soundtrack composer or a best boy get the same consideration? Craig Mazin and Matt Edelman continue their debate.
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Given that the size of the Internet market is unknown, whatÂ’s keeping the two sides from settling on a truly temporary deal? ItÂ’s a three-year contract, after all. Craig Mazin and Matt Edelman continue their debate on the writers strike.
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Who’s “labor” and who’s “management” in this strike? How can Ellen DeGeneres be a scab when it’s her show? All week, Craig Mazin and Matt Edelman discuss the Hollywood writers strike.