Kendrick Lamar’s Grammys performance makes an unforgettable impression
Kendrick Lamar shook up the Grammys on Monday night with a set that lifted a sleepy fog that had descended on a television audience that, up to that point, had weathered a series of uninspiring, mostly midtempo performances.
Containing the many echoes of the social and political issues heard in Lamar’s acclaimed album “To Pimp a Butterfly,†his performance paid tribute to the Black Lives Matter movement and Compton itself through carefully staged and choreographed performances of “The Blacker the Berry†and “Alright.â€
“The Blacker the Berry†kicked off in a prison with swirling smoke and a psychedelic jazz saxophone reminiscent of Ornette Coleman’s 1970s work with Prime Time, a connection to jazz that was also underscored by his introduction by Don Cheadle, who is directing an upcoming Miles Davis biopic.
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Lamar, who had earned a shout-out from the White House earlier in the night for his win for rap album, shuffled onstage in shackles. Soon he and a group of performers were headbanging under black lights and were joined by traditional African drummers and dancers.
As the song rose in intensity, Lamar sang fiercely in front of a raging bonfire.
“We gonna be alright,†he repeated, the empowering refrain that had been adopted in “Black Lives Matter†protests. Intense close-ups of his face flashed under a strobe light and when he was done he stood still in front of a giant projection of a map of Africa with the word “Compton†written across its middle.
The performance underscored what has been a big night for Lamar, who received 11 nominations, including a nod for album of the year, for “To Pimp a Butterfly.â€
Win or lose, Lamar made an unforgettable impression.
Twitter: @jessicagelt
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