2021 Gotham Awards start Oscar season, 'Nomadland' wins

By Associated Press

Associated Press

Jan. 11, 2021 9:50 PM PT

NEW YORK — Streaming from an empty banquet hall and with acceptance speeches made from living rooms, the 30th Gotham Awards gave a very strange Oscar season a virtual start Monday in a largely digital ceremony that crowned Chloe Zhao’s “Nomadland” the best film of 2020.

As the first prominent award show to go forward during the pandemic, the Gotham Awards took a trial-and-error approach to mounting a show that couldn’t include the usual trappings of the annual independent film awards: a flashy red carpet, free-flowing cocktails, standing ovations. The Gothams nevertheless went ahead with a ceremony from its usual home of Cipriani Wall Street in downtown Manhattan, albeit without an in-person audience and with only a few presenters.

Opening the show, Jeffrey Sharp, executive director of the Gotham Film & Media Institute, predicted that there would be “glitches and gremlins” throughout the event. The show was livestreamed on Facebook, with invitees placed digitally at tables via a poker program that Gotham organizers retooled to simulate being seated at the gala.

“While we’re the first, we’re definitely not the last award show exploring new ways to come together,” Sharp said.

The results weren’t always smooth, but they were typical of a pandemic that has made any large gatherings — let alone glitzy ones like the Gothams — impossible. Winners, appearing by videoconference, were sometimes befuddled.

“I think I’m supposed to be speaking right now, but I hear so many different people talking, I’m not really sure what’s going on,” said breakthrough actor winner Kingsley Ben-Adir (“One Night in Miami”) from a hotel room in London.

Ramona S. Diaz, director of the Maria Ressa profile “A Thousand Cuts,” learned that she had won best documentary, in a tie with Garrett Bradley’s incarceration tale “Time,” while the livestream audience awaited her speech.

“I’m sorry. I didn’t hear anything. What’s going on?” said Diaz, who then learned that she had won. “Oh, I did?” she said.

But the Gothams, which had been postponed by about two months to coincide with the delayed Academy Awards calendar, fell into a kind of rhythm and a predictable winner. Zhao’s “Nomadland,” starring Frances McDormand as an itinerant widow living in her van, was the sensation of a similarly pandemic-marred film festival season, winning top honors at the Venice and Toronto film festivals, along with best picture from the National Society of Film Critics.

“Nomadland” won both best feature and the Gothams’ audience award on Monday. All of the films nominated for best feature were directed by women, including lead-nominee getter “First Cow,” by Kelly Reichardt. Zhao, whose “The Rider” won best feature at the Gothams two years ago, thanked the festivals that, like the Gothams, carried on despite the trying circumstances.

“They truly showed us and reminded us that we’re not alone,” Zhao said. “A strong community is brought together by our love for cinema.”

Other awards were more surprising. Nicole Beharie won best actress for “Miss Juneteenth.” “Oh, my God,” she mouthed while still on mute. Turning her audio on, she said it again: “Oh, my God.”

The best actor category included a posthumous nomination for Chadwick Boseman’s performance in “Ma Rainey’s Black Bottom,” but the award went to Riz Ahmed, for “Sound of Metal.”

Boseman was still honored with a tribute award, as was his “Ma Rainey’s” co-star Viola Davis. The Gothams, which can steer momentum in the Oscar race, gave out a litany of tribute awards in taped presentations, including for Steve McQueen (“Small Axe”), the ensemble of Aaron Sorkin’s “The Trial of the Chicago 7,” Ryan Murphy (“The Prom”) and Jeffrey Wright.

Simone Ledward Boseman, Chadwick’s widow, accepted his award in an emotional taped message.

“Chad, thank you,” she said. “I love you. I am so proud of you. Keep shining your light on us.”

Other awards included best screenplay for both Radha Blank (“The Forty-Year-Old Version”) and Dan Sallitt (“Fourteen”); breakthrough director for Andrew Patterson (“The Vast of Night”); and “Identifying Features” for best international film.

Bradley, accepting the shared documentary award for “Time,” lamented that she couldn’t take the stage with her collaborators, and the subjects of her film, Sibil Fox Richardson and Rob Richardson.

“If this were in real space, there would be so many more people up here right now,” Bradley said. “But we’re living in two dimensions right now.”