The best reason to watch the Oscars this year
I canât think of any two people Iâve enjoyed watching bickering and bantering the past 20-some years more than Richard Lewis and Larry David on âCurb Your Enthusiasm.â Funny, sure. But there was also such a feeling of love underneath the surface, particularly from Lewis, who died Wednesday. Love stemming from acceptance and gratitude. We should all be so lucky to have friendship like that in our lives.
From the Oscars to the Emmys.
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Iâm Glenn Whipp, columnist for the Los Angeles Times and host of The Envelopeâs Friday newsletter. Lunch is on me this week. But no scones.
SAG Awards set up an Oscar showdown
Pedro Pascal was a little drunk at the Screen Actors Guild Awards, because he thought he could get drunk.
Hey, you and me both, Pedro.
I didnât anticipate that the ceremony, streamed on Netflix â no commercials, plenty of profanity â would boast many surprises. And outside of Pascal prevailing for âThe Last of Usâ over the âSuccessionâ leads, and Elizabeth Debicki winning for âThe Crownâ (really?), there werenât.
On the television side, actors we saw win Emmys just a month ago â Jeremy Allen White and Ayo Edebiri for âThe Bear,â Ali Wong and Steven Yeun for âBeefâ â prevailed again. âThe Bearâ won comedy series cast; âSuccessionâ took drama.
Hey, like Edebiri said, in a nod to James Baldwin, an âact of love is an act of mirroring.â
But we donât watch the SAG Awards for the TV prizes. We watch because the SAG Awards are a reliable precursor to the Oscars, and the voting window is open at this very moment. The last two years, all five SAG film category winners have gone on to prevail at the Oscars. Will that happen again?
I pondered that very question in a recent column â and Iâm still thinking about it because I have to file my final predictions soon and I remain torn on the lead actress race. Will it be Emma Stone? Or will it be Lily Gladstone, who triumphed with SAG? If you have the courage of certainty, send along your thoughts. That race is the best reason to watch the Oscars this year.
Another honor for âOppenheimerâ
Meanwhile, Christopher Nolanâs big-canvas biopic âOppenheimerâ won the Producers Guild of Americaâs top honor, a day after it took the ensemble prize at the Screen Actors Guild Awards.
Nolan won the Directors Guild of Americaâs feature-film directing award two weeks ago.
Even a brilliant script can be enhanced on set. The Envelope spoke to the filmâs cast and crew, who shared insights into how the Oscar-nominated screenplay transformed from the page to the screen.
âOppenheimerâ thus became the 11th movie to sweep the Producers, Directors and Screen Actors Guild awards, establishing it as the overwhelming favorite to win the best picture Oscar on March 10. Of the 10 previous films to hit that awards season trifecta â a list that includes âNo Country for Old Men,â âArgoâ and the last two best picture winners, âCODAâ and âEverything Everywhere All at Onceâ â only one, âApollo 13,â failed to win the Oscar.
âOppenheimerâ is not âApollo 13.â
I wrapped up the eveningâs winners and speeches, including some funny remarks from Martin Scorsese, on hand to receive an honorary award. Scorsese regaled the audience with memories of attending the Producers Guild Awards in 1965, when he won best student film for âItâs Not Just You, Murray,â which he made while attending New York University. Alfred Hitchcock accepted a career award that night, and Scorsese recalled some of the advice he imparted.
âHe said, âFirst, when you receive such an award, you want to pinch yourself to make sure it isnât being made posthumously,ââ Scorsese remembered.
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Kimmel prepping for another Oscars â his fourth as host
The 96th Academy Awards on March 10 will mark the fourth time Jimmy Kimmel has hosted the ceremony. You probably remember him asking Warren Beatty what he had wrought after the envelope fiasco in 2017. He took a few years off and then returned to the job last year. Why, asked my pal Tim Grierson.
âI did not think I would ever do it again,â Kimmel says. âI did two of them, and they went well â something crazy happened at one of them with a story Iâll have for the rest of my life. I know how much work goes into them, so I thought, âYeah, I donât necessarily want to do this ever again.â â
What changed his mind, Tim writes, was âTop Gun: Maverick.â âI knew there was a movie that people had seen, and it just makes the job easier,â he explains. âThen this year, I am sitting in a movie theater watching âBarbieâ and thinking, âWell, maybe Iâll do this again, because at least I have a point of reference with everyone.â â
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From the Oscars to the Emmys.
Get the Envelope newsletter for exclusive awards season coverage, behind-the-scenes stories from the Envelope podcast and columnist Glenn Whippâs must-read analysis.
You may occasionally receive promotional content from the Los Angeles Times.