Dance on DVD

ONCE again, I thank Lewis Segal for bringing attention to the art of dance [“An Art of Stolen Glances,” Jan. 6]. As a student and teacher of Labanotation [the notational system used for analyzing and recording human movement], I know too well how video has permeated the recording of dance for future generations. I have always wondered how bootlegging, pirating and plagiarism come into play with the performing art that is always least recognized yet most independent of any other medium. Any acknowledgment of the art of dance and its contribution to the stage or education is always welcome, especially in Los Angeles, where writers, actors and technicians of film always take precedence.

We lovers of the concert dance are always inspired by Segal’s perceptiveness.

Andrea Matis

Oak Park

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RIGHT up front I must admit that I have disagreed with a large portion of Lewis Segal’s ballet reviews in the past. However, “An Art of Stolen Glances” is right on. I could not agree more that the snobbish, elitist attitude of many dance professionals regarding dance DVDs is dumb, ridiculous and absurd. Congratulations on an outstanding and cogent article.

Don J. Kolman

La Habra

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THANK you, Lewis Segal, for your astute and acerbic observation of ballet. Deciphering pixels is the sine qua non of the 21st century. I’m with [your parrot] Stevie!

Jacek Kropinski

Beverly Hills