MADE HIS DAY
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As a film producer, I got teary-eyed as I read John Balzar’s account of Clint Eastwood and his filmmaking style (“Clint Eastwood, Absolutely,” Oct. 13). After 10 years in this business, I have yet to experience finishing a movie ahead of schedule or see a director print the first take and move on. In a town filled with more megalomaniacal movie directors than movies to direct, it’s no wonder Eastwood’s crew loves to work with him again and again.
One question: Any openings?
RODNEY LIBER
Los Angeles
Liber was executive producer of “Dunston Checks In.”
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